The World Viewed: Reflections on the Ontology of Film.

Foreword to the Enlarged Edition Preface 1. An Autobiography of Companions 2. Sights and Sounds 3. Photograph and Screen 4. Audience, Actor, and Star 5. Types Cycles as Genres 6. Ideas of Origin 7. Baudelaire and the Myths of Film 8. The Military Man and the Woman 9. The Dandy 10. End of the Myths 11. The Medium and Media of Film 12. The World as Mortal: Absolute Age and Youth 13. The World as a Whole: Color 14. Automatism 15. Excursus: Some Modernist Painting 16. Exhibition and Self-Reference 17. The Camera's Implication 18. Assertions in Techniques 19. The Acknowledgment of Silence More of The World Viewed Notes Index