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Abstract Despite the fact that tourists constantly interact corporeally with things and physical places, tourist studies have failed to understand the significance of materiality and objects in modern tourism. Like much theory and research influenced by the ‘cultural turn’, tourist (and leisure) studies have melted everything solid into signs. This article is inspired by current calls for a renewed engagement with the ‘material’ in social and cultural geography and sociology. It introduces questions of materiality and material culture into cultural accounts of contemporary leisure and tourism, in particular in relation to space and ‘human’ performances. In doing so it stresses the inescapable hybridity of human and ‘nonhuman’ worlds. It is shown that leisure and tourist practices are much more tied up with material objects and physical sensations than traditionally assumed and that emblematic tourist performances involve, and are made possible and pleasurable by, objects, machines and technologies. Thus we suggest that further engagement with the ‘material’ would be the constructive path to follow for future leisure and tourist studies.