Between Page and Screen: Remaking Literature Through Cinema and Cyberspace

Part 1 Mediality, Digitality, Subjectivity Chapter 1 Samuel Weber Medium, Reflexivity, and the Economy of the Self Chapter 2 Anthony Curtis Adler Analog in the of Digital Reproduction: Audiophilia, Semi-Aura, and the Cultural Memory of the Phonograph Chapter 3 Joanna Zylinksa What if Foucault Had Had a Blog? Chapter 4 Kiene Brillenburg Wurth Posthuman Selves, Assembled Textualities: Remediated Print in the Digital Age Part 2 Digital Refexivities: Prose, Poetry, Code Chapter 5 Katherine Hayles Intermediation: the Pursuit of a Vision Chapter 6 Marie-Laure Ryan Net.art: Dysfunctionality and Self-Reflexivity Chapter 7 Katalin Sandor Moving (the) Text: From Print to the Visual Chapter 8 Federica Frabetti Made Legible Part 3 Intermedial Reflexivities: Film, Writing, Script Chapter 9 Peter Verstraeten Cinema as a Digest of Literature: A 'Remedy' Against Adaptation Fever Chapter 10 Lovorka Gruic, Kiene Brillenburg Wurth Cinematography as a Literary Concept in the (Post)Modern Age: Pirandello to Pynchon Chapter 11 Jan Baetens Novelizing Tati Chapter 12 Martijn Engelberts Copycat-and -Mouse: the Printed Screenplay and the Literary Field in France Part 4 New Literacies, Education, and Accessibility Chapter 13 William Uricchio The New Literacies. Technology and Cultural Form Chapter 14 Asuncion Lopez Varela Posthuman Inscriptions & Humachine Environments: Visibility, Blogging and the Construction of Subjectivity in Educational Spaces Chapter 15 Gary Hall The Singularity of New Media