Amatsuchi Kosaku: Reconsidering Postwar Japanese Art History from a Perspective of Ecology

This paper discusses Amatsuchi Kosaku, an artist collective that formed in the late 1980s and continued its unique activities until the early 2000s. Because Amatsuchi Kosaku was based in Shizuoka, it was excluded from the normative narrative of Japanese art history, which has been constructed around artists and artist collectives working in metropolises like Tokyo and Kyoto. This paper examines the “metropolitan-centrism” in the Japanese art history, and reconsiders the artistic practice of Amatsuchi Kosaku, from the perspective of “ecology,” a concept that has been the focus of much attention in recent contemporary art discourse.