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In this editorial, the editor reflects on the current political climate in the US and its impact on theatre education. The editor then introduces this issue, in which our contributors document and reflect on innovative educational theatre practices. Samantha Briggs and Marissa Barnathan explore how they combined methods from participatory democracy, futures studies, and Boal's Legislative Theatre to create a multi-step audience engagement process consisting of pre-production, post-show, and post-production workshops aimed at collectively strategizing methods for preventing gun violence. Aghogho Lucky Imiti contends that Theatre Arts as a professional discipline in the humanities should be regarded as other disciplines, and its graduates be given equal opportunities as their counterparts from other fields in Nigeria. Rosalind M. Flynn analyzes embodied learning, using physical theatre activities to support the learning of vocabulary words. Finally, Dave Humphreys shows how carefully structured and targeted drama games can benefit learners' experiences and support teachers in understanding a dramatic pedagogical approach.