Hidden semantics of the painting program in the Church of the Narva Icon of the Mother of God in Narva by Yuliia Khlystun

The article is devoted to the description and cultural analysis of the program for painting the church in honor of the Narva Icon of the Mother of God in the city of Narva, Estonia. The hidden semantics of symbols in the painting of the temple is revealed. Using this church as an example, the author talks about the general laws of constructing a program for painting an Orthodox church.