Art, Power and Modernity: English Art Institutions, 1750-1950

Fugitive authorship - William Ivins and the reproduction of art artists, exhibitions, and power during the 19th century auditing the Royal Academy - official discourse and the 19th-century Royal Academy art and reproduction - some aspects of the relations between engravers and painters in London, 1760-1850 art classification and rituals of power - the resurgence of etching a Trojan horse at the Tate -the Chantrey episode towards an historical typology of art museums.