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This dissertation explores practices of voice encompassing speech, song, chant, and silence among Cambodian Americans of the city of Lowell, Massachusetts, home to the second largest Khmer population outside of Cambodia. Situated around samleng, the Khmer word for voice, as a medium for Cambodian American space-claiming and self-making, this dissertation asks, how might voices from Cambodian communities of Lowell assemble diverse experiences of Cambodian refugeehood? I address this question through conceptions of vocality emergent from the stories and reflections of my collaborators, and my research weaves a collage of case studies that exemplify how voices map diverse experiences of Cambodian un- and resettlements. Running through this collage is the notion of voice as a social, cultural, individual, and political resource in experiences of Cambodian American refugeehood, which now spans fifty years and multiple generations. Cambodian Americans use voice––broadly defined and practiced––to craft senses of identity, claim space, and build community. Listening to voices of Cambodian diaspora as both material and metaphorical records of refugeehood extends to the present and offers insight and intervention into the current political climate around refugeehood in the US and the world writ large as climate change, depleted economies, and war displace millions of people at increasing rates.