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Abstract In early 2023, Asbury University drew international attention when it testified to revival. Classes ceased as students and faculty joined in an uninterrupted worship service in response to a claimed move of the Spirit. In this article, I consider the commonality of aesthetic arguments that were present in affirmations, critiques, and interrogations of the events unfolding at Asbury. Following this, through a survey of the historic cooption of aesthetics by white supremacist actors and systems, I propose that discernment of the Spirit, and more broadly pneumatology, should be ethical rather than aesthetic. In forwarding this claim, I consider the ethical ramifications of aesthetic pneumatologies and consider whether the entanglement of aesthetics and white supremacy may require deliverance unto ongoing repentance. I make these claims in conversation with the work of J. Kameron Carter, David Lloyd, Amos Yong, Keri Day, Gordon Fee, and Ernst Käsemann.