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Tārtam Vāṇī, the core doctrine of the Nijananda Sampradāya, exemplifies one of the most intricate symbolic and esoteric works of early modern North India. Authored by Mahāmati Prannāth Ji (1618–1694), the literature encapsulates metaphysical concepts via intricate metaphors, composite linguistic structures, and symbolic cosmologies. It expresses complex esoteric principles regarding the soul, heavenly truth, and cosmic order through multifaceted poetic metaphors. Despite extensive examination of Bhakti literature, the symbolic structure in the works of Mahamati Prannāth Ji is relatively underinvestigated. Despite the extensive scholarly attention to bhakti literature, the esoteric language of Prannāth Ji's texts has not been adequately examined. This study conducts a hermeneutic, literary, and comparative examination of chosen song verses, uncovering the metaphysical structure inherent in Tārtam Vāṇī. The investigation reveals that symbolism serves as an essential vehicle for conveying doctrinal knowledge and influencing devotional awareness. Moreover, it demonstrates the persistent significance of symbolic communication in articulating transcendent spiritual truths that surpass sectarian or cultural boundaries (Bharati, 1992; Schimmel, 1975). It contends that symbolism serves both as an educational instrument for initiates and as a vehicle for articulating nuanced metaphysical principles, such as the soul, divine union, epistemic enlightenment, and cosmic order. The Vāṇī synthesises Indic, Islamic, and vernacular literary traditions, establishing a transcultural spiritual framework that contextualises Prannāth Ji within wider mystical lineages. This work utilises hermeneutic, textual, and comparative techniques to analyse selected song texts from Tārtam Vāṇī within their symbolic and esoteric settings.