Types of authorial consciousness in Tatar poetry of the early 20th century (based on the works of dardmend and S. Ramiev)

The purpose of this study is to analyze the types of authorial consciousness and their expressions in the works of renowned early 20th-century Tatar poets Dardmend (Zakir Ramiev) and S. Ramiev. The study draws on the methodology for analyzing authorial consciousness developed in the works of B.O. Korman and based on the concepts of "subject of speech," "subject of consciousness," "point of view," "subjective organization of the work," "emotional tone," and others. The study established that, amidst the multiplicity of trends and currents in Tatar poetry of the period, various types of authorial consciousness existed: Enlightenment, Romantic, Modernist, and others. Individual authorial characteristics of the representation of these types in the lyrics of Dardmend and S. Ramiev are identified. It is determined that in Dardmend's poetry, the dominant element of the author's consciousness is a religious and philosophical principle, influenced by Sufism. The author emerges as the bearer of a philosophical view of nature, humanity, history, and the universe. The dominant type of authorial consciousness in S. Ramiev's lyrics is identified and analyzed: a personality that opposes social norms and the divinely established world order and contrasts itself with it. The influence of Ghisianism, which dates back to medieval Sufi poetry, is also identified. This influence is activated in the context of the formation of a non-classical worldview in Tatar literature and culture. The prospects of the research are connected with the expansion of the research field in synchrony and diachrony, which will contribute to the understanding of the evolution of artistic consciousness in Tatar poetry of the last century.